#Sick tech n9ne songs free

And I didn’t get laid out to the point where I was super sick.

The two times I’ve had COVID it’s been a weird blessing in disguise where I was like, okay, now I just have to focus. It actually kind of worked out perfectly. But I did the vocals over Christmas last year while I had COVID. John Dwyer: Technically, we’re still there, so yes. To the point where I am now uncomfortable. And my drummer Dan, who fancies himself a punk drummer, really enjoyed it immensely. It was really super fun to write and super fun to record. Every record has a banger or two on it, but I think the idea was that this would be the concentrated version of that, really abrupt and 35 minutes long. We’ve been toying with this idea for quite a while. The way things were at the time, it was the perfect time for me to work on this at my house. We wanted to write some really primitive stuff. John Dwyer: You know, just for fun.It was kind of a whim. And with this record, you’re going right back into it. | j kellyĪquarium Drunkard: For the last several years, and maybe as long as a decade, you’ve been getting away from punk rock and going towards a drone-y, motorik sound. This place where we’re comfortable and we have good fans who enjoy the show,” says Dwyer. “Not giving a fuck has helped elevate us to where we’re at. In a way, that heedless, headlong commitment to whatever he’s doing right now is the thread that connects everything.

#Sick tech n9ne songs free

And since he’s looking back, it seemed like a good time for us to look back, too, in an interview that spans the Dwyer career so far, from Providence skate punk to SF garage rock to Castle Face honcho to free improv experimenter.ĭwyer is not a guy who worries about how he sounds or what people will say or what kind of critical reception his music will get. He changes the name of the band pretty much every time he makes a record, just to screw with the music press.įor his most recent OSEES album, A Foul Form, Dwyer shifts again, this time revisiting the punk and hardcore that shaped his Rhode Island adolescence. It’s hard to get a handle on the OSEES, let along the dozen or so other projects that Dwyer juggles, and he’s not about to make it easy for you. Even his main current gig, the OSEES, shapeshifts continually, sometimes drone-y and psychedelic, other times brashly cheerful garage pop, still others gleeful ghoul punk like the Cramps. That was a long time ago, but Dwyer has kept up his adrenalized pace, churning out multiple records every year that span disparate genres, involve completely different sets of people and evolve constantly. A ferocious, giddy, prankster-ish ride of a show ensued, so good that later in the week, I went back for another round. I ran into him first when he was in Coachwhips-and at least four other bands, not including joke bands, of which there were several-setting up a battered PA on the floor at Beerland one afternoon at an aughts SXSW.